recently i went back to listening to the soundtracks that preisner wrote for kieslowski(the three colors and the double life of veronique). my obsession has caused my brain to be saturated with nothing but the same melodies in all sorts of instrumentation.
listen to this concerto he wrote for veronique, pretending to be the fictitious 18th century dutch composer Van den Budenmayer. it clearly couldn't have been written in the 18th century, the sound is too modern, don't you think?
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